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francesco di tillo

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francesco di tillo performance At different latitudes, 2023
performance

At different latitudes, 2023

frma from the video documentation of the performance At different latitudes, 2023

PERFORMANCE

video documentation of the performative action carried out with residents and commercial activities of Via del Pratello in Bologna.
Duration 1'
Bolognacilecolpo di statocoup d'etatperformance
Articolo precedente Oggi Come Oggi, 2023-24 [solo exhibition]
invitation picture of the solo exhibition Oggi Come Oggi (Today Like Today) of the artist Francesco Di Tillo at Galeria Gino Marotta - Aratro, Molise University, Campobasso

See also...

performance

Unstable settlement, 2022

installations performance pubblication video

REMOTO project, 2022

Artworks

  • At different latitudes, 2023
  • Oggi Come Oggi, 2023-24 [solo exhibition]
  • Unstable settlement, 2022
  • REMOTO \ beyond any reasonable doubt, 2022 [film]
  • REMOTO \ in spite of everything, 2022 [solo exhibition]
  • REMOTO project, 2022
  • Trigger, 2021
  • Universe container, 2021
  • Master Plan (series), 2014-2021
  • Eterna, 2020
  • Matrices, 2020
  • Mutatis Mutandis, 2019
  • Down to the ground, 2019
  • In all sense of the earth, 2019
  • Viva, 2019
  • What matters is what remains, 2018
  • #12.430.494, 2017
  • Totem /.\ , 2017
  • Fragments, 2015
  • Anomos, 2014 [solo exhibition]
  • Falecimentos, 2013
  • Totem, 2012
  • Oration, 2012
  • You, 2011
  • Fresh air, 2010
  • Born on the Moon, 2009
  • Chuck-in, 2008

Categories

installations NEWS & EVENTS papers performance photography pubblication sculptures video

ABOUT ME

My approach of the art invites to reflect on the forms of knowledge by proposing subjects paradoxical, incomprehensible, or even catastrophic, causing an perpetual oscillation between the visible and the imaginary, disturbing and at the same time becoming fond to the reactions of the others, to futility and irrationality of things, contexts, vital flows that makes imaginary and that denies the reality although unable to refuse it.

Normally my proposals are so on the threshold of the impossible but never appear offside.

I'm interested in the idea that the viewer, the spectator, so "brainwashed" is temporarily free from the cultural roots inevitably constraining and it can start a process of knowledge sufficiently impartial.

SEND ME A MESSAGE
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