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francesco di tillo

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francesco di tillo sculptures Universe container, 2021
sculptures

Universe container, 2021

Contenitore di Universo, 2021 | scultura | francesco di tillo
Earth, lime, clay, compost, sawdust, mortar, steel
113x25x25 cm
Contenitore di Universo, 2021 | scultura | francesco di tillo
Contenitore di Universo, 2021 | scultura | francesco di tillo
Contenitore di Universo, 2021 | scultura | francesco di tillo
Contenitore di Universo, 2021 | scultura | francesco di tillo
Precedente
Successivo
2021living sculpturesculpture
Articolo precedente Master Plan (series), 2014-2021
serie master plan | francesco di tillo
Articolo successivo Trigger, 2021
Trigger | Innesco, 2021 | scultura | francesco di tillo

See also...

installations sculptures

Matrices, 2020

Matrici, 2020 - Villa Davia Colle Ameno | francescoditillo.com
sculptures

Trigger, 2021

Trigger | Innesco, 2021 | scultura | francesco di tillo
sculptures

Mutatis Mutandis, 2019

Mutatis Mutandis, 2019 | sculptures | francesco di tillo

Artworks

  • Unstable settlement, 2022
  • REMOTO \ beyond any reasonable doubt, 2022 [film]
  • REMOTO \ in spite of everything, 2022 [exhibition]
  • REMOTO project, 2022
  • Trigger, 2021
  • Universe container, 2021
  • Master Plan (series), 2014-2021
  • Eterna, 2020
  • Matrices, 2020
  • Mutatis Mutandis, 2019
  • Down to the ground, 2019
  • In all sense of the earth, 2019
  • Viva, 2019
  • What matters is what remains, 2018
  • #12.430.494, 2017
  • Totem /.\ , 2017
  • Fragments, 2015
  • Anomos, 2014
  • Falecimentos, 2013
  • Totem, 2012
  • Oration, 2012
  • You, 2011
  • Fresh air, 2010
  • Born on the Moon, 2009
  • Chuck-in, 2008

Categories

installations papers performance photography pubblication sculptures video

ABOUT ME

My approach of the art invites to reflect on the forms of knowledge by proposing subjects paradoxical, incomprehensible, or even catastrophic, causing an perpetual oscillation between the visible and the imaginary, disturbing and at the same time becoming fond to the reactions of the others, to futility and irrationality of things, contexts, vital flows that makes imaginary and that denies the reality although unable to refuse it.

Normally my proposals are so on the threshold of the impossible but never appear offside.

I'm interested in the idea that the viewer, the spectator, so "brainwashed" is temporarily free from the cultural roots inevitably constraining and it can start a process of knowledge sufficiently impartial.

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