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francesco di tillo

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francesco di tillo sculptures Mutatis Mutandis, 2019

sculptures

Mutatis Mutandis, 2019

Mutatis Mutandis, 2019 | sculptures | francesco di tillo

Earth, cement, lime, iron, sand

Mutatis Mutandis, 2019 | sculptures | francesco di tillo

Mutatis Mutandis, 2019 | sculptures | francesco di tillo

Mutatis Mutandis, 2019 | sculptures | francesco di tillo

Mutatis Mutandis, 2019 | sculptures | francesco di tillo

Mutatis Mutandis, 2019 | sculptures | francesco di tillo

Mutatis Mutandis, 2019 | sculptures | francesco di tillo

Mutatis Mutandis, 2019 | sculptures | francesco di tillo

Articolo precedente Down to the ground, 2019

Articolo successivo Matrices, 2020

See also...

Eterna, 2020

Eterna series, 2020 - detail | francescoditillo.com

You, 2011

You, 2011 | sculptures | francesco di tillo

installations sculptures

Matrices, 2020

Matrici, 2020 - Villa Davia Colle Ameno | francescoditillo.com

Artworks

Unstable settlement, 2022
REMOTO \ beyond any reasonable doubt, 2022 [film]
REMOTO \ in spite of everything, 2022 [exhibition]
REMOTO project, 2022
Trigger, 2021
Universe container, 2021
Master Plan (series), 2014-2021
Eterna, 2020
Matrices, 2020
Mutatis Mutandis, 2019
Down to the ground, 2019
In all sense of the earth, 2019
Viva, 2019
What matters is what remains, 2018
#12.430.494, 2017
Totem /.\ , 2017
Fragments, 2015
Anomos, 2014
Falecimentos, 2013
Totem, 2012
Oration, 2012
You, 2011
Fresh air, 2010
Born on the Moon, 2009
Chuck-in, 2008

Categories

installations papers performance photography pubblication sculptures video

ABOUT ME

My approach of the art invites to reflect on the forms of knowledge by proposing subjects paradoxical, incomprehensible, or even catastrophic, causing an perpetual oscillation between the visible and the imaginary, disturbing and at the same time becoming fond to the reactions of the others, to futility and irrationality of things, contexts, vital flows that makes imaginary and that denies the reality although unable to refuse it.

Normally my proposals are so on the threshold of the impossible but never appear offside.

I'm interested in the idea that the viewer, the spectator, so "brainwashed" is temporarily free from the cultural roots inevitably constraining and it can start a process of knowledge sufficiently impartial.

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