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francesco di tillo

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francesco di tillo performance Unstable settlement, 2022
performance

Unstable settlement, 2022

PERFORMANCE

Action featuring some students from the School of Art, Catholic University of Chile, Santiago
Duration: 15'
unstable settlement, 2022
unstable settlement, 2022
unstable settlement, 2022
unstable settlement, 2022
unstable settlement, 2022

The following performance is part of the REMOTO Project, made with the support of the Italian Council (X edition, 2021) / program for the international promotion of Italian art of the General Direction of Contemporary Creativity of the Italian Ministry of Culture, and promoted by Galeria Metropolitana, Santiago de Chile.

cileearthquakeitalian councilperformance
Articolo precedente REMOTO \ beyond any reasonable doubt, 2022 [film]
Unstable

See also...

installations performance pubblication video

REMOTO project, 2022

Artworks

  • Unstable settlement, 2022
  • REMOTO \ beyond any reasonable doubt, 2022 [film]
  • REMOTO \ in spite of everything, 2022 [exhibition]
  • REMOTO project, 2022
  • Trigger, 2021
  • Universe container, 2021
  • Master Plan (series), 2014-2021
  • Eterna, 2020
  • Matrices, 2020
  • Mutatis Mutandis, 2019
  • Down to the ground, 2019
  • In all sense of the earth, 2019
  • Viva, 2019
  • What matters is what remains, 2018
  • #12.430.494, 2017
  • Totem /.\ , 2017
  • Fragments, 2015
  • Anomos, 2014
  • Falecimentos, 2013
  • Totem, 2012
  • Oration, 2012
  • You, 2011
  • Fresh air, 2010
  • Born on the Moon, 2009
  • Chuck-in, 2008

Categories

installations papers performance photography pubblication sculptures video

ABOUT ME

My approach of the art invites to reflect on the forms of knowledge by proposing subjects paradoxical, incomprehensible, or even catastrophic, causing an perpetual oscillation between the visible and the imaginary, disturbing and at the same time becoming fond to the reactions of the others, to futility and irrationality of things, contexts, vital flows that makes imaginary and that denies the reality although unable to refuse it.

Normally my proposals are so on the threshold of the impossible but never appear offside.

I'm interested in the idea that the viewer, the spectator, so "brainwashed" is temporarily free from the cultural roots inevitably constraining and it can start a process of knowledge sufficiently impartial.

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