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francesco di tillo

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francesco di tillo papers Fragments, 2015
papers

Fragments, 2015

Fragments (series), 2015 | paper artworks | francesco di tillo
Monotype transfer on paper
29x42cm each
Fragments (series), 2015 | paper artworks | francesco di tillo
Fragments (series), 2015 | paper artworks | francesco di tillo
Fragments (series), 2015 | paper artworks | francesco di tillo
Fragments (series), 2015 | paper artworks | francesco di tillo
Fragments (series), 2015 | paper artworks | francesco di tillo
Fragments (series), 2015 | paper artworks | francesco di tillo
Fragments (series), 2015 | paper artworks | francesco di tillo
Fragments (series), 2015 | paper artworks | francesco di tillo
2015earthquakepaperstransfers
Articolo precedente Anomos, 2014 [solo exhibition]
photo detail - Anomos 2014 | francescoditillo.com
Articolo successivo Totem /.\ , 2017
Totem /.\ , 2017 | francescoditillo.com

See also...

papers

Master Plan (series), 2014-2021

serie master plan | francesco di tillo

Artworks

  • At different latitudes, 2023
  • Oggi Come Oggi, 2023-24 [solo exhibition]
  • Unstable settlement, 2022
  • REMOTO \ beyond any reasonable doubt, 2022 [film]
  • REMOTO \ in spite of everything, 2022 [solo exhibition]
  • REMOTO project, 2022
  • Trigger, 2021
  • Universe container, 2021
  • Master Plan (series), 2014-2021
  • Eterna, 2020
  • Matrices, 2020
  • Mutatis Mutandis, 2019
  • Down to the ground, 2019
  • In all sense of the earth, 2019
  • Viva, 2019
  • What matters is what remains, 2018
  • #12.430.494, 2017
  • Totem /.\ , 2017
  • Fragments, 2015
  • Anomos, 2014 [solo exhibition]
  • Falecimentos, 2013
  • Totem, 2012
  • Oration, 2012
  • You, 2011
  • Fresh air, 2010
  • Born on the Moon, 2009
  • Chuck-in, 2008

Categories

installations NEWS & EVENTS papers performance photography pubblication sculptures video

ABOUT ME

My approach of the art invites to reflect on the forms of knowledge by proposing subjects paradoxical, incomprehensible, or even catastrophic, causing an perpetual oscillation between the visible and the imaginary, disturbing and at the same time becoming fond to the reactions of the others, to futility and irrationality of things, contexts, vital flows that makes imaginary and that denies the reality although unable to refuse it.

Normally my proposals are so on the threshold of the impossible but never appear offside.

I'm interested in the idea that the viewer, the spectator, so "brainwashed" is temporarily free from the cultural roots inevitably constraining and it can start a process of knowledge sufficiently impartial.

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