Anomos, 2014

various media and materials variable dimensions “The exhibition presents a research carried out on the theme of” State of Exception “, which has been the object of the study parallel to the 2014 World Cup in Brazil. In fact, the football event is taken up as the background of a complex socio-economic system presented in relation to a more local event: the occupation of homeless nicknamed “Copa do Povo” (People’s

Iustitium, 2014

24 xerox b/w A4 130×120 cm Iustitium is a composition of images of earthquakes made by mistake. The earthquake as a metaphor of the impermanence of the building to destroy, rebuild, destroy again.This perpetual loop and sudden that overwhelms us is part of the precariousness of our daily life. The cancellation of its visual elements enhances this fate. Its ruins are now invisible, intangible, unreadable. Losing space and form, time

Falecimentos, 2012

print on paper variable dimensions “In the Falecimentos series, the artist Francesco Di Tillo presents a series of photographs of objects for sale at events known as “Familia vende tudo” [Family sells everything].In one of the images when we read the gold letters written on a porcelain plate, we discovered that Alzira and Fausto celebrated the golden wedding on November 24, 2001, in the Mediterraneo Tatuapé buffet, Brazil. This is

Mom / Momscapes, 2009-2012

digital print on plexiglass and alluminium A scientific article arose the possibility of birth on the moon, noting how 50 years after the first landing on the moon, doubts still persist about its geography, the legal rules governing the responsibilities on the lunar surface. Mom is the world land applies to the moon, to position themselves within a geography that finally defines the origin of a possible birth.  If a

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