What matters is what remains, 2018

earth environmental dimensions “Reflecting on the educational seasons of Casa Rossa, the first innovative Agricultural School, then Casa di Rieducazione male juvenile, Francesco Di Tillo, recovers a scene of daily life by setting up a classroom but composed to the negative. Chair and benches are rendered by solid banks of earth, transitory signs of presences that are, of lives spent between joys and sufferings, serenity and pain. The artist recovers

Totem /.\ , 2017

wood, canes, straw, clay, salt, string 350x350x300 cm approx. “The long history of the Saline of Margherita di Savoia involves people who found in the saline the work, hope and permanent possibilities of a community that now boasts a century.Totem /.\ is an installation made with natural materials found on the site, which recalls this story through the symbol of a model home in which memory, suffering and joy are

Totem, 2012

remains and packaging of artworks 300x300x100 cm approx. Totem is a procedural installation made with scraps of garbage produced by other artists. Paper, cardboard, bubble wrap, packaging, wood, metal and other production materials were collected and accumulated in the defined exhibition space.The work establishes a new type of dialogue with artistic production and its representatives.

Anomos, 2014

various media and materials variable dimensions “The exhibition presents a research carried out on the theme of” State of Exception “, which has been the object of the study parallel to the 2014 World Cup in Brazil. In fact, the football event is taken up as the background of a complex socio-economic system presented in relation to a more local event: the occupation of homeless nicknamed “Copa do Povo” (People’s

Falecimentos, 2012

print on paper variable dimensions “In the Falecimentos series, the artist Francesco Di Tillo presents a series of photographs of objects for sale at events known as “Familia vende tudo” [Family sells everything].In one of the images when we read the gold letters written on a porcelain plate, we discovered that Alzira and Fausto celebrated the golden wedding on November 24, 2001, in the Mediterraneo Tatuap√© buffet, Brazil. This is

Fresh air, 2010

environmental audio installation “Fresh air consists primarily of sound-recordings and sound-samples of gusts of wind, wind from the sea, wind from the mountains, the city, etc.We could think of a wind tunnel, as indirect reference to this production, a high-tech equipment used to study the external gas flows and the resulting aerodynamics of dockages, usually aircrafts, cars and other complex means of conveyance.It creates a mixture of artificial context -however

Analisi 1, 2008

medical instrumentation, 2 video, various object variable dimensions “Looking back the structure that now hosted the 64Galleria, Francesco Di Tillo, does re-emerge from the folds of the architectural history the old medical clinic that was located there. Wheelchairs, gynecological chairs, medical beds, surgical equipment, equipment for electrocardiograms, and a waiting room will be accompanied by some videos of autopsies and anatomical lessons for children. That field is put into a

Chuck-in, 2008

tapis-roulant, pvc, electric motor 150x400x300 cm “Assuming the idea of Massimo Bartolini’s argument that “art is a matter of invisible,” Di Tillo has devised a machine for the exercise of thought. A tapis roulant-racing was redesigned and transformed: into the exhibition room the object was resting on a window sill inside, in front of the window and obscured by a curtain. The new machine offers the visitor a perpetual journey,

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